Continuing to celebrate the life and music of Zakir Hussain, here he is performing with “Masters of Percussion.” No information is provided for this performance (it was uploaded in 2013), but the recording is great. Enjoy.
Yesterday we began a short series of posts highlighting 2023 albums I didn’t get a chance to spend enough time with prior to compiling my year-end list with Lee Gallagher and the Hallelujah’s “The Falcon Ate The Flower.”
Next up is the self-titled release from Dosh, Ismaily, Young. Featuring “drummer Marty Dosh (Dosh, Andrew Bird, Fog), bassist Shahzad Ismaily (Marc Ribot’s Ceramic Dog, Secret Chiefs 3, Arooj Aftub), and guitarist Tim Young (Wayne Horvitz’s Zony Mash, David Sylvian, Michael White).”
With Shazad already appearing on the 2023 round up with Love In Exile by Arooj Aftab, Vijay Iyer, Shahzad Ismaily, this marks Ismaily’s second appearance on my favorite albums of 2023.
This is not so much a review as a profile, so I take no shame in quoting the Bandcamp page to help you get a picture of this wild ride: “On their debut self-titled release, these master musicians effortlessly deliver six solid tracks including an 11-minute krautrock mindblower, a meditation on the end of the world, and explorations into Stax-soul, space-rock, and free-jazz.”
If you’ve taken the time and effort to read this far, it’s probably because we share the same music vibes. I highly recommend this release, especially since physical copies are in short supply.
Watch the official video for the opening track, “Blast:”
Here’s a fun little playlist to celebrate Serendipity.
Let me explain: My name is Brent and I love the Grateful Dead. So it makes perfect sense to lead off this mix with the Dead rehearsing with Brent in April 1979 right before his first tour with them.
And, not only is my name Brent and I love the Grateful Dead, I love the music of Miles Davis. So much so that Miles Davis is one of the reasons we named our oldest son Miles. So it makes perfect sense to include Miles Davis playing at the Fillmore West; a bill shared with none other than the Grateful Dead. You can watch video here.
OH, and if all that wasn’t enough, I was born in 1973! Not in Summer, but still, the Dead jamming with Brent for a song named after my birth year, how could I not include it here?!
So we have two tracks from the Dead and Brent rehearsing, two tracks of wild Miles opening for the Dead. Then, we wrap things up with the drums/space segment (except I reversed them here) from Dead and Co. in Phoenix, AZ, 2017. Because, guess what: WE WERE THERE!
So here’s a mix of out there stuff with inward significance. This playlist is not for everyone. But if you know, you know. Ya dig?
Setlist:
“Booji Boy's Bad Trip (Drums, Space, Feedback)” by the Grateful Dead
“Miles Runs The Voodoo Down” by Miles Davis
“Summer of ‘73” by the Grateful Dead
“It’s About That Time” by Miles Davis
“Space/Drums” by Dead and Co.
Visit the Grateful Dead’s official website.
Follow the Grateful Dead on Facebook.
Follow Grateful Dead on Twitter.
Purchase Grateful Dead music on Amazon.
Visit the official Miles Davis website.
Follow the Miles Davis page at Facebook.
Purchase Miles Davis music at Amazon.
Visit the official Dead and Co. website
Browse all Holiday at the Sea playlists
Here’s another Youtube Treasure that I haven’t bothered to research much. I’m sure many of you can tell me when/where exactly this is from, and I look forward to learning all of that.
But in the meantime . . .
Setlist:
I Don't Want Nobody to Give me Nothing (thanks Sean Graham)
Oleo
Insensatez
Blues in G (?)
Sonnymoon For Two (Thanks Harry)
Additional Players:
Larry Ridley on bass
Don Lamond on drums
This is one of the best things I’ve seen in a long time. Someone on Twitter posted a link to the live video for the song“Quarantine time with Warrior music” (which I have included below) and I was hooked.
Back when I was doing the Global Elite Music Radio Podcast Supershow, this definitely would have been featured prominently. Enjoy these three videos and do some digging on your own. Lots to discover.
“Fulu Miziki is a collective of artists who comes straight from a future where humans have reconciled with mother earth and with themselves. This multidisciplinary collective of artists is based in the heart of the Congolese capital city Kinshasa and was founded by Pisko Crane. For several years now, it’s founder Pisko has spent an amount of time conceptualizing an orchestra made from objects found in the trash, constantly changing instruments, always in search of new sounds.
Couples of years ago, Pisko Crane joined efforts with performing artist Aicha Mena Kanieba who, with Le Meilleur, DeBoul, La Roche, Padou, Sekelembele, and Tche Tche formed the Eco-Afro-Futuristic punk ensemble Fulu Miziki. Making our own performance costumes, masks and instruments is essential to their approach of Fulu Miziki’s musical ideology. Their unique sound supports a pan-African message of artistic liberation, peace and a severe look at the ecological situation of the Democratic Republic of Congo and the whole world. For Fulu everything can be recovered and re-enchanted.”